Down the Rabbit Hole

Ever notice how authors know so many random things about a lot of stuff? That’s because in order to create conceivable worlds, we need to know how those worlds work. That’s where the whole an author only writes 10 percent of the iceberg thing comes from. You need to know so much on the back end in order to write a realistic setting. Learning all that can inform other stories down the line and even if it doesn’t, it makes for a bunch of random facts for the back pocket.

For instance, did you know that after the passing of the Metropolitan Police act in 1829, constables’ uniforms had stiff collars to avoid strangulation as they were definitely not a welcome sight around the city? Because thanks my research for The Red Door, I do.

To help put this in perspective, you’ve probably heard stories about getting lost in Wikipedia or falling down rabbit holes on the internet. One search leads to another leads to another and so on …

Story creation works that way too. Let me give you an example.

I’ve talked a little about this before, but my new story all started because I wanted to do something with a deep sea diver. OK, when did they do hardhat diving with a breath line? Well, the Navy still used the Mark V helmet up through WWII (I had to learn that …).

Well, I don’t want to use that time period, but I like the idea of a soldier, so how about after WWI?

OK. It ended in 1918.

Well, I don’t want it to be RIGHT after, so let’s push it back to 1919.

Great. Where?

Well, my protagonist has seen enough battle. He wants to settle somewhere idyllic for a while. Oh and there needs to be water.

How about the Mediterranean Sea?

That sounds good. Lots of history there. I can base him in Greece.

What was Greece’s role in WWI? How would the react to an American fisherman living there now? If he’s a diver, he’ll need a tender, probably a local, so was this guy in WWI as well? Also, in 1919, Greece was gearing up to fight another war against he Turks and his tender would be involved with national sympathies and …

See what I mean? You make a couple of decisions and the threads just start appearing. Do I need to explain all of this in my own work then? Absolutely no, but I need to understand the interplay and relationships because its all going to inform what I write.

It’s been fun doing the research. I was just reading something about sunken treasure ships which lead me to Egyptian ports which lead me to trade routes and the list goes on.

I may have directed this journey, but remember it all started with me wanting to do something with deep sea diving and it spun out from there.

To me, that’s what makes storytelling so much fun. Yeah, it’s a lot of work putting all these pieces together, but change just one facet and the entire story changes. That’s why, the last time I tried this, I got from the Marianas Trench to spaceships.


Worldbuilding at Work

I’ve recently come back to my idea about a mystery beneath the sea. The main reason I abandoned the concept is that the more I untangled the knot I’d given myself, the less I liked the answers. I was interested in the deep. The mystery. An alien environment. The claustrophobic dark.

But I ended up with a spaceship and UFO conspiracy theories. Don’t get me wrong. Both of those things are awesome, they’re just not what I wanted to write about.

So, I’ve come back.

The problem before is that I had to invent technology to make it work. So the further I got in explaining things, the deeper into science fiction it ended up. I like Sci-Fi. I wanted to write Sci-Fi. But there was a reason why I wanted my story to take place on our planet.

The more stuff I had to make up to explain what I wanted to tell, the further I got from the kind of realism I wanted to tell. If it got too techy, then the deep, dark ocean lost some of its charm. I wanted it to remain this alien landscape of its own. Yes, I know what I said above about being on OUR planet, but you know what I mean. These were some of the original drawing points.

Rather than invent a future, I looked the past.

I started with the image of a brass-helmeted deep sea diver. What is that world like? When were those in use?

A little investigating gave me a date range. I then set a date post WWI. This limits my technology but not the sense of wonder.

It’s like have you ever seen the movie The Shape of Water? So minor, minor spoiler, but the only explanation for the fishman is that he was found during some guy’s trip in the Amazon. Okay, similar time period to WWI and for some reason that explanation totally works in that context. The viewer knows no such creature existed in the Amazon then or now, but we allow it. There’s room for wonder and imagination. Now if a movie today tried to pull that off, we’d all be like “yeah right!” That’s because we know so much more of the world now.

In my head I call this “Indiana Jonesing” it. You make the story a little more dated and you can pretty much claim whatever you want. Artifact? Secret society? Fishman? Sure. Roll with it. We romanticize the past anyway, let’s fantasize it too.

Back to my point: Using the WWI backdrop gives me what I want. My diving imagery, technological limitations, and wiggle room to include some fantastic elements.

I don’t have a plot yet, but I’ve come up with a couple of characters. Someone’s got to do that diving. Maybe a grizzled frogman suffering PTSD from the war? How about a trauma surgeon too? Who knows? There’s so much material now to mine for content. It’s exciting to be working on it again.

I still don’t have a plot or many of the details, but it doesn’t matter. Those ideas will come.

The point is, this is an exercise anyone can do for story generation. All it takes is a single image or feeling. Start unpacking that image. Explore it. Mine it.

It can get overwhelming trying to come up with characters, a setting, and relevant plot details all at the same time. Oh, and it’s also probably impossible too. So don’t bother!

Find something you love and follow the threads once you start unravelling it. You’ll soon see that it’s not a sweater at all, but more of a spider web. Okay, I’m losing the metaphor here, but I think you see where I’m going with this.

The beauty of writing is that yes we put words on a page, but we need to tell stories to do that. Coming up with a new story is half the fun. I’ve got this one cooking now next to half a dozen others. Something will hatch and let me know when it’s finished (more mixed metaphors).

If not, I’ll just keep following those threads to a new one.