Sooooo Close!

I finished my latest read through of Land of Sky and Blood over the weekend. That’s 561 pages, 163k words, all cleaned up. I still can’t believe it turned out that long. Now all I have to do is rewrite the opening chapter and I’ll be ready to hand it off.

At this point I’m desperate to give it to my beta readers. I thought I’d be cutting things left and right Edward Scissorhands style, but I think I ended up adding to the overall word count! I feel like Cillian Murphy in Sunshine when he’s staring out the spaceship at the sun. I just can’t look at the manuscript anymore. I’m all crispy-skinned and immolated over here and need some outside opinions.

My original goal was to be done by August 1st. I’m giving myself until the end of the week though. Either way, come a week from now, you better be seeing the words: “And it’s sent!” Then maybe I can finally relax.

Keeping the post short and sweet today so I can get back to it. I’ve already pulled myself out of one internet rabbit hole once I started reminiscing about Sunshine — seriously, before me typing that reference, I hadn’t even thought about that movie in like ten years — I can’t afford to fall down another one. That chapter’s not going to rewrite itself!

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The Power of Editing

I’m only 410 pages into my 554 page manuscript. This is another polish round, so I’m reading it start to finish and cleaning things up as I find them. It’s faster moving than it was in the beginning, but I’m ready to be finished. The next round I can do some more surgical fixing followed by a line by line polish after that. At this point, I’m ready to get the manuscript in the hands of beta readers. I don’t want make it perfect if the whole thing needs to be reworked. What’s the point?

But all this gets me thinking just how much the story can change as its being edited. I don’t just mean rewriting and cleaning things up either.

So here’s a great example: I have four main POV characters. In the beginning of the book, each character gets his or her own chapter. As these characters come together by the end, the chapters get a bit more muddied as I jump between POVs. Now I can keep them that way because it works thematically — total accident by the way — or I can cut them apart, mixing and matching the whole way through.

Benefit of keeping them as they are: More time in the respective character’s head means more investment from the reader.

Cutting them up: Holds interest longer as more seems to be happening since we’re jumping back and forth. POV changes also create more stopping places for the reader which would be a bad thing if it means putting the book down or a good thing if means people push on for “just one more section”. Who knows?

I feel like I want to cut them up, but I’m on the fence. If you’ve ever read Robert Jackson Bennett’s Divine Cities trilogy, I think of those books as the gold standard. Each one has only like nine whole chapters, but those chapters are huge. Lots of section breaks and POV switching. Terry Pratchett wrote that way too. Actually, he wrote without chapters and just broke when he felt it necessary.

However, Stranger Things season 3 is warning me otherwise. In the beginning, I liked the cutting back and forth, but it eventually got annoying because I felt like there wasn’t a lot of overall progress. Right when something good started happening in the story we’d cut away leaving me more frustrated than interested. Now, in my opinion, that season had its own problems later on, but this point still stands.

That’s just a structural thing. Rearranging chapters only changes the presentation of information and not what is being said. Yet it could completely change the feel of the entire book. That’s how important editing can be.

“Great books aren’t written. They’re rewritten.” Michael Creighton said that I find myself coming back to that again and again like a mantra.

Okay, that’s enough from me. I need at least another forty pages done today to keep on schedule. Happy writing and editing, everyone!

Just a reminder that Fairfax Cleaners is still on sale all of July. As much as a dollar on Amazon or as little as totally free on Apple Books!

Crisis on Multiple Dans

I’ve been on vacation that last two weeks with the family. There was plenty of rest and relaxation. Also some stress and aggravation from trying to herd three small children to “HAVE FUN”. And driving. Lots of driving. So many car arguments.

My lowest moments? I transformed into a capital “D” Dad on this trip and had to say dad things like “I’m turning this car around and we’re going home!” and “Now NOBODY gets a movie!”. It’s awful. My kids turned me into a monster. But aside from that, it was a pretty fun trip. We went out east to visit my parents for a week and then drove south to surprise the kiddos with a secret Disney World trip the following week. So it was kind of eventful.

Two weeks away also meant two weeks away from writing. And in those two weeks I received a couple more rejection letters.  You’re never going to make it as a writer if you can’t handle rejection and boy have I gotten some letters over the years, but these two hit kind of hard. They were some final nails in the coffin of a particular work and I was realizing that it just wasn’t going to sell.

So in the midst of the Florida sun and Disney World I was also experiencing an existential crisis of what to do with my career.

I’ve always had this dilemma of striving for traditional publishing versus self-publishing. There are good reasons to go either way. Bad ones and pitfalls too. Even more than that, I’ve written seven novels now over the course of seven years and the last four books I’d say have had somewhat open endings or at least room for a sequel but I’ve never written any followups.

The life cycle of my books tend to go something like this: outlining and writing the first draft takes a couple months. Then polishing and editing takes the second half of the year. Usually while it’s taking me a year to write one book, I spend that entire year pitching and querying the last book. Once the new book is ready, I rotate the old one out, start pitching the new, and start writing something else. Thus the cycle continues.

My way of thinking was why write a sequel to a book that no one will read. Well, a lot of self-publishing thrives on series. Even my own Fairfax Cleaners I’ve envisioned to be a Hidden City series. I was going to hold off and publish those intermittently with other works. At least that was the idea, but down in the Florida sun I’ve come to a new decision. I do want to write a series, but while I love Fairfax Cleaners, Altered Egos is nearer and dearer to my heart. I’m going to finish editing my current manuscript and then I’m just going to dive into the Altered Egos sequel. I’m not going to lean into self-publishing anymore, I’m going all in. I mean, I wanted to write a series anyway so why not? What’s stopping me?

I’ve come full circle on this. I originally get into novel writing because I wanted to write comic books and got tired of convincing other people to draw stories for me. With that notion, if I love something and think its worth reading, well then maybe I should do it myself again and get it out there.

The writing industry is about the market, but the writing art is about passion. And right now I’m passionate about writing about a supervillain protagonist in a world of superheroes so that’s what I’m going to do. If I think these stories are worth reading, then there’s probably a couple people out there like me who’d appreciate them as well.

Ape Like Me

I fed a gibbon today.

That sounds like a euphemism or something, but I really mean that I fed an honest to god primate. It reached out through the mesh of its cage, I ignored the signs about reaching back, and I gave it a food pellet. I put food in the hand of a gibbon. I gave a gibbon a snack.

I was at this zoo/safari-esque place with my family, so don’t worry, feeding the animals is not only encouraged but part of the experience. Technically, I wasn’t supposed to reach toward the gibbons because of their longer arms. They’re known to take cell phones. It really had nothing to do with food. So yeah, after watching my wife feed a zebra, I wanted to bond with another creature too. Me and the gibbon became good buddies.

There’s probably some deeper metaphors there about the relationship of man with nature and the origin of species, but I was just happy to make that gibbon’s day. At least, I hope so, cause that critter sure as heck made mine. For all I know, he’s pandering for food pellets left and right and I was just an easy mark with gibbon-length arms myself, but I choose to believe that we had — no, have — something special.

We better, because the first time I tried and gave him a carrot. He did not like that at all. Like howling, jumping around the pen, and thrashing around not like. I thought I might have kicked off the Dawn of the Planet of the Apes for a second there. Cesar who? But luckily, our food pellet exchange was far more productive.

In other news, my book Fairfax Cleaners is on sale throughout July. The digital copies are anywhere from a whopping $0.99 in some places to absolutely free in others! You can’t do much better than that. So if you were ever on the fence before, why not? Do you like fairies who act like gangsters and swear like sailors? How about a werewolf who rides a motorcycle? Japanese yokai turned spirit assassin do anything for you? And those are just the bad guys. Don’t even get me started on Gus, our hero.

So if you’re looking for something new this summer, I guess what I’m saying is you could do a lot worse. If that doesn’t get you going, what do I gotta do? Get a gibbon for you?

Kindle: https://www.amazon.com/Fairfax-Cleaners-Dan-M…/…/ref=sr_1_2…

Physical Copy: https://www.amazon.com/Fairfax-Cleaners-Dan-M…/…/ref=sr_1_3…

Kobo: https://www.kobo.com/us/en/ebook/fairfax-cleaners

Nook: https://www.barnesandnoble.com/…/1131177773;jsessionid=92E2…

iBooks: https://linkmaker.itunes.apple.com/en-us/details/1459119241…

Smashwords: https://www.smashwords.com/books/view/932548