6/24/19 Check In

Wow it’s been two weeks since my last post! Time’s been flying by. I try to get something out every Monday, but I’ve just been so darned busy lately. A smarter me would have a bunch of these posts written up in advance and then have them scheduled to come out for instances such as these, but I haven’t had the time to write one post let alone some for a backlog.

Some general updates:

I’m 1/3 of the way through my last draft of Land of Sky and Blood before I release it to my beta readers. It’s always equal parts exciting and nerve wracking when I turn my work over to other people. It’s not that I can’t handle the critiques, I’m just impatient. After working on something for so long I want to know what people think about it now, not two months from now. But I guess other people are busy too or something …

You can never have enough beta readers, so if you’re interested in being one of mine and you like Asian inspired epic fantasy, hit me up!

I finished The Prince of Shadow and … yeah, I’m glad it’s over. After so much build up and the main character, Llesho being carried through the narrative, I was expecting, I don’t know … more? The end has what I guess is a final twist, but it happens so quickly and almost out of left field that it’s hard to be excited. It was more of a “Huh. I guess that happened” kind of a moment. Who knows? Maybe one day I’ll read the sequel, but right now, it’s just not going to happen.

My current read is Whisper of Shadow and Steel. I grew up playing and loving the Legend of the Five Rings card game. All of my Asian fantasy reading was getting me back in the spirit to find the old Clan books to read them again, but seeing as how they’re based on a role playing game whose rules have become outdated, I wasn’t that surprised to discover that they didn’t exist in a digital format.

That said, a few new ones do, though. Whisper of Shadow and Steel came out last year for crying out loud and I had no idea! Anyway, I’m already halfway through it – it’s pretty short- and it’s like going home again. Once a Scorpion, always a Scorpion.

Also, my book Fairfax Cleaners will be going on sale for the low, low price of a dollar the whole month of July! If you were ever curious to read some urban fantasy in Chicago that has nothing to do with wizards, now’s your chance!

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Inspiration

Normally when I’m working on something, I don’t like to read that same genre in fear of cross-contamination. It’s different this time, though. As I’m editing Land of Sky and Blood I only want to read fantasies with an Asian/East-Asian lens. It’s not that I’m hoping to get any of that via osmosis, I think it’s more that I just really like that aesthetic and never really knew how much of it was out there. Now that I’ve tasted it, I want more. Hopefully readers of that material will feel the same way that I do and accept my work as well.

Although, I wouldn’t be mad if one of those books helps me unlock this recurring naming convention problem I’m having. I thought I’d solved it, but I still think its too convoluted and the final effect isn’t quite what I was hoping for. Maybe I’ll get it next draft …

So in light of all that, I thought I’d talk a bit about what I’m currently reading. I realized that topic rarely comes up on my blog which could be odd being a writer and all. I’m maybe 75% through The Prince of Shadow and my ongoing review is that, I don’t hate it? Insert confused face.

Life’s too short for me to keep reading a book I don’t like. I can usually tell if I like a book or not forty pages in. Heck, more like twenty in most cases. But this one … it’s just interesting enough that I think I like the world, but plot-wise kind of boring. Benjamin’s prose is often muddy at times. A whole paragraph will go by and I’ll have to reread it because I’m not sure what he’s trying to say. I also tend to like a protagonist with, you know, agency so a whole book where events are happening too a character and not because of a character are not really my thing. I’m hoping this is just a slow burn and that this is all building up to the end, so who knows?

The beginning of the book must have been more interesting than what I’m reading now to get me this far, otherwise I probably would have dropped it. I’ve also come too far to turn back now. I call that my Wheel of Time Rule. Hooboy. We can talk about that ride later.

Anyway, yeah, so there are some things about The Prince of Shadow that I like and plenty that I don’t. If anything, it’s showing me some new angles to an Asian inspired fantasy world and offers some nice examples of how editing can be your friend, but it’s not what I signed on for.

So yeah, don’t hate it, but already looking forward to the end. I guess it’s part of a trilogy, but at this rate, I don’t have any plans of picking up the other two.

Head Case

I’d been doing some traveling lately and visiting family which has put me behind on both blogging and writing. Aside from some memories and a boat load of pictures of my kids, I didn’t come back empty handed. My sister-in-law is an awesome photographer who did me a huge favor and snapped me some snazzy head shots.

Headshot for Screens

Nice, Right? I mean just look at that handsome devil.

Okay, all joking aside all credit goes to my sister-in-law who clearly knows what she’s doing. I just sat around and tried not to look like an idiot. Smile more? Less? Serious face? I think I went through the gamut. The old train station also helped. I really like that background!

Anyway, got some time in the sun down south where my kids played with their cousins for a week. Physically, I’m exhausted from traveling — three little kids on airplanes will do that to you — but mentally, I’m all fired up. I’ve got some business stuff to take care of, a short story to finish, and of course editing Draft 2.

Draft 2 has been kicking my butt. It was always going to be rough in the beginning, but I also think it’s because I was trying to cram everything I’d missed in during that second pass. I’ve since come to realize that like anything I’ve ever written, it’s going to be a another dozen or so drafts until I’m finished, so it’s okay to let stuff go for next time. Fix what I catch and streamline those 165k words into a coherent story and then polish, polish, polish while I work out other details. You don’t carve a masterpiece in the second try. You chip away and smooth stuff until one day you’re just finished with it.

Seriously, coming at my problem like that has just freed me. I can’t wait to get through this current pass so I can hone in some more on the next one. Want another metaphor? It’s like zeroing in on a target. I could probably cut down on the overall number of drafts by slowing down, but I’m not sure my work would be as good.

I’d been taking a writing class these past couple months to polish my prose and something I’ve learned is that I like to do that final polishing in little isolated chunks. Take a few “completed” pages at a time and then make them better. I think I was trying to do too much too quickly before. I’m allowing myself the ability to let stuff go, flag it, and catch it later, being more deliberate with my choices. I think it’s going to make me a lot happier in the long run.

Couch Potato

I like to be busy. In life and in writing. I need to be actively working on something at all times either writing or editing. I mean, this is my bread and butter if I want to make a career out of writing – I need to make products – but I also see it like this: Throw enough spaghetti at the wall and something will stick, but that won’t happen if you don’t actually make the spaghetti.

I bring this up because I’ve had a minor procedure recently that resulted in a few days off from work and home in bed/on the couch. I’m not allowed to be active. Sure. Why not? What a perfect time to bust out the ultrabook and get some serious editing done without distractions.

Turns out I was wrong. Staying in a seated position was a tad tiring and the siren song of Black Mirror was just too tempting to resist. So that’s what I’ve been doing. Watching Black Mirror, not editing like I should be. I’m giving myself a pass on this one though. Sometimes I guess its good to recharge the batteries. Not that I’m doing that creatively mind you. People, I’ve been a slug. No, that’s not fair to slugs. They’re more active than I’ve been lately. If it wasn’t for my kids taking over the bedroom for a nap and then taking over the living and being too young to watch Black Mirror, I don’t know what I’d become. A puddle of goo? Can bones melt that fast? They won’t stop jumping on daddy, but I suppose its better that than being a complete slob.

That said, I don’t known if I’ve ever been more ready to get back to work in my life. And wear pants. Step one is pants.

All right, so the editing for Land of Sky and Blood – that’s the new official title – is going slow as can be. It’s gonna be a few months yet before I have anything for beta readers to sink their teeth into. I’m already getting anxious so I think I’m gonna get back into the short story game for a bit. Got a couple things brewing in the old brain pan.

In other news, Fairfax Cleaners has dropped to $2.99. That’s less than a comic book my friends. So, if you like an urban fantasy mystery, a mishmash of folklore, and fay who really like to drop the f-bomb then this might be the book for you. Find the details here or click the widget on the side of the page.

A Good Symposium …

I spent the weekend up in Muncie, IN for the Midwestern Writers Workshop’s Agent Fest. Anyway, it was good way to connect with fellow writers, meet agents, and get some insider information. Thanks to one memorable presentation, I now look at writing my synopses completely differently.

Writing is a pretty solitary experience, so it’s always nice to learn and talk to others doing the same thing as you. Something I really love about writing in general is that the “enemy” so to speak isn’t other authors, its people who don’t read.

I’d encountered such a phenomena in the Scotch whisky industry years ago when I was writing my masters dissertation. The distilleries all sold different products, but on many occasions they joined forces to promote Scotch as a whole and broaden the overall customer base.

So collaborating with other writers whether it’s for a combined sales initiative or just sharing information about the craft or the profession can benefit both parties. For instance, I was waiting for that “How to Write a Good Synopsis” presentation to start and got to talking with my table. I learned all about a couple of programs that scan your prose for redundant phrasing, poor grammar choices, and active/passive voices in far better detail than Word ever could. In return, I think I ended up telling them how Amazon Direct Publishing works. See? We all win.

I’ve gone to enough events over the past 7 or 8 years now having to do with writing that I’ve started to define what type of experience I think I can expect based on the title of the program alone. Keep in mind, these are my definitions. Program creators are free to name their events whatever they wish.

A Conference: Different from a convention. I define a conference as a learning experience where people present ideas. Usually, it’s author to author. A place to go, network, and soak up some good discussions.

A convention: More of a celebration of the craft or a particular genre. More fan/reader presence as well as more booksellers. For an author it’s a good place to meet those fans and meet fellow authors. It might be tough for new authors to find each other though, as they fall someone in the middle.

A workshop: Can involve presentations of some kind, but the big difference is that the author attendee is actively working or practicing a lesson of some kind. To give a shout out to MWW, you can usually find instructions and critiques from some “faculty” authors paired against presentations or lectures about specific topics.

A retreat: A sequestered experience in some out of the way location so an author can focus on his or her writing. Usually it’s run by another writer of some clout who shares their expertise and critique on a much more personal level.

Those might be self-explanatory, but it helps to set the attendee’s expectations. A new writer could still make connections at a convention for instance — hello, Bar Con! — but it’s a much less structured experience.

I like to go to events. I usually come back with a couple new tricks, some contacts, and I always learn something. The price of some of these events can get limiting, but if you’re ever on the fence if you should attend or not, my answer is yes!

Now you just have to whittle down which one that’ll be 🙂

Maybe next time I’ll give you my list of the types of people I usually run into at these things …

Full Stop

I write chronologically by nature. I always start at the beginning and work my way towards to the end. It makes me really uncomfortable to write scenes out of order. I don’t like going into a situation without knowing all the subtle nuances and decisions that got my characters to that point, so whatever I end up writing feels hollow to me. Even those big, shiny set pieces I know are going to be in there and I’m super excited about, I still can’t write them out of order. I’ll get there when I get there.

The only way I can write unconnected scenes is once I’ve finished the manuscript. With the story told, it’s much easier for me to see, “Oh, I’m missing this scene here,” or whatever, and then go back and write it. Doing it that way removes my earlier hang ups and it’s not much of a problem.

I bring all of this up because I ran into a brick wall in my current manuscript. There’s a particular battle that I’ve known about since the outlining phase. A small force has to win against insurmountable odds. I knew it was coming. I knew I should prepare for it. But Past Dan decided I’ll figure it out when I get there.

Past Dan is an idiot.

I have no idea what to do. It’s not exactly writer’s block because I know what needs to happen and the big turning points in the sequence. What I don’t know is how to bring those about in a logical manner. I mean, this rag tag group of heroes has to win, yes, but win in a believable way.

The diligent writer in me knows I won’t be getting my words in for the day while I sit and noodle this one out. That Dan wants me to pick a point after the battle and just continue since I know how it’s going to end anyway. But I just can’t. It feels wrong. I guess I can massage in continuity edits later, but it’s hard to get going. Unless I figure this out soon, I may not have a choice.

It’ll be an interesting exercise for me for sure if I just breeze past this pivotal scene. I know other writers who don’t have the reservations that I do and can write whatever scene they need in whatever order that strikes them. Not me, friends.

So maybe you can help me out. Besides a small group winning against a large one, how does said small group win if they’ve already given up the high ground? Seems impossible, right?

Now I’m mad at Past Dan for two reasons.

  1. Why didn’t he figure this out earlier?
  2. I control the narrative. Why are we even in this mess?

Oh well. Instead of my daily word count, I think it’s off to read some history forums and learn as much as I can about underdog battles. If any of you have any insight or advice, Present Dan is much more receptive than Past Dan. He’s all ears.

Slave to the Narrative

Ever hear about plots being on rails? Or maybe characters being a “slave to the narrative”? Those are both descriptive ways of explaining that the plot is the driving force of the book, overshadowing everything else. Things happen because the plot demands it, not necessarily because it feels natural to do so.

I’ve always known of the concept, but it never hit me as hard as it did now. I’d gotten some good advice from an agent about my manuscript Altered Egos and wanted to implement it into the most recent draft. In the book, my protagonist is a supervillain who’s freed from prison to stop a serial killer. Now there are plenty of things vying for his attention and trying to keep him under someone’s thumb, but I realized that I too fell prey to making him a slave to the plot.

I thought I’d covered my bases pretty well by having him always be scheming for ways out, but then I went back and reread scenes of him running head first into danger. I had to stop and ask myself why. Well, I knew why, because I needed him to blow up that mech or to save that guy for whatever reason. But would my protagonist really do that?

The short answer was yes. He needed to accomplish these tasks to further his own plans. The longer answer was yes, but he’d have reservations. I needed to do a better job of explaining that in the prose. I was missing the entire emotional piece of how he felt about the matter. I just had him moving about like a chess piece. Yeah, he’s an intellectual guy and I had him examining many of these situations from an intellectual angle but I don’t care who you are, if bullets are flying over your head and things are exploding left and right, you’re going to be on the verge of peeing your pants. But none of that was in there.

It made those scenes feel hollow. Here I had a protagonist with a strong character voice, but we never really got into his head. It wasn’t some parlor trick I was going for, it was just weak writing.

I’ve never been one of those authors who say their characters are dictating the story as they go along. I need an outline and I need to move my pieces around from Point A to Point B, but there are times I can do a better job of explaining how my characters feel about those elements. More often than not, readers are enticed by the plot, but they stay for the characters. It’s the emotional connection a reader forms with a protagonist that has a lasting effect, but they can’t form that emotional connection if the character doesn’t actually emote.

Glad I got that advice and caught it when I did.

Just a reminder that my book Fairfax Cleaners is for sale on all major e-retailers. And you can of course get a print on demand version from Amazon.

Fairfax Cleaners is Live

Look what showed up over the weekend?

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It looks good and it feels good too! That cover is snazzy to touch. Anyway, I’m so thrilled with how it turned out that I decided why wait? As of today, Fairfax Cleaners is available everywhere!

Kindle: https://www.amazon.com/Fairfax-Cleaners-Dan-M…/…/ref=sr_1_2…

Physical Copy: https://www.amazon.com/Fairfax-Cleaners-Dan-M…/…/ref=sr_1_3…

Kobo: https://www.kobo.com/us/en/ebook/fairfax-cleaners

Nook: https://www.barnesandnoble.com/…/1131177773;jsessionid=92E2…

iBooks: https://linkmaker.itunes.apple.com/en-us/details/1459119241…

Smashwords: https://www.smashwords.com/books/view/932548

So take your pick! While I’d love for people to purchase the book, of course, I’m looking hard for reviews right now. If you don’t want to invest in a new author – I totally hear ya – contact me anyway and I’ll be more than happy to send you a free version in exchange for an honest review.

Fairfax Cleaners is Self Published!

I did it. I finally did it. I took control of my own writing career and self-published my first book.

It’s been something I’d been thinking about doing for a while now, but couldn’t bring myself to do because I’ve been so captivated by the traditional model. However ever since going through Fairfax Cleaners again for one final overhaul of the manuscript, I knew it would be the perfect candidate.

DanMelnick_FairfaxCleaners_eBookFrontCoverFINAL

Here’s the blurb:

Gus cleans up the bodies, he doesn’t make them. Keep the Hidden City hidden. That’s the job and deal he made with one of the fairy overlords of Chicago. It’s another day dismembering troll, when Gus discovers Maureen hiding out in the back of his van. His boss is hunting humans with tremendous magical potential and Maureen has already gotten away from them once.

Most people who catch the fairy’s interest typically wind up on the other end of Gus’s bone saw.  Gus knows he should turn her in, but can’t bring himself to do it. Even a man who hides the dead has a conscience. So he helps her escape, earning the wrath of the Hidden City: evil fairies, a rampaging werewolf, and a spirit assassin powered by vengeance. And that’s just the start of it. His boss has gone to a lot of trouble finding Maureen the first time and will do anything to get her back. There’s no way he’d both forgive Gus’s betrayal and let them escape the city alive.

It’s got some violence and a whole lot of language — if the cover didn’t tip you off. So if you’re sensitive to that, you now know.

The official launch day is May 7th, but you can preorder it now at the following links:

Kindle

Physical Copy (not available until launch day)

Kobo

Nook

iBooks

Smashwords

I’m definitely looking for reviews, so for those of you who have already read it and would like to talk about your experiences, I’d really appreciate it. If there is anyone out there who would be interested in a free copy in exchange for an honest review, please reach out and I’ll send one your way.

So what this whole process has taught me:

  1. Layouts take so much more work than I realized. I must have fiddled with different versions of the manuscript for hours every day for weeks to get them all in the proper format for the platform.
  2. Microsoft Word is so much more than a “type here” program. There is so much going on behind the curtain if you will, its staggering. Also, I’ve never loved Find and Replace more.
  3. A good cover is worth investing in. Let’s be honest, we really do judge a book by its cover. Or it at least makes us pick it up and give the book a chance. I’m super pleased with what Extended Imagery has cooked up for me.
  4. People read books in a lot of places. Going into this I thought if I hit Amazon and iBooks, I’d cover my bases but I couldn’t be more wrong. There are so many platforms out there. It’s great that people can choose the vehicle that works for them, but it means more work for me to generate reviews
  5. It’s really fun. I didn’t think I would enjoy this behind the scenes process so much, but I really do. I’m already working on the next manuscript I’ll be self-publishing.

Dun Dun Duuuuuuh …

It’s finally here.

The portents had foretold of its inevitable arrival. I knew it was coming, feeling it in the marrow of my bones. It’s been hanging over my head like a dark cloud – nay, a burial shroud – for months …

The dreaded Draft (capital D) 2 …

You may recall my mentioning of this monstrosity a time or two before. This is what I call the draft after the rough draft. Well, duh, but it gets a capital letter because it’s so much more than simple polishing. This is where I take that pile of words and create an actual story out of them. With a 165k word manuscript, it’s quite the pile.

If that wasn’t hard enough, it’s always a rougher go in the beginning. 1. That’s because I’m just starting the editing process and 2. I write chronologically, so the beginning is where I was still figuring things out all those moons ago and hoo boy, does it show. In later revisions, I’m able to mark editing time by how many chapter I can get through. Now, I’ll be pushing through for like an hour and a half and when I check the page count, I’ve gone all of three pages. To say it’s a process is an understatement.

Still, though, it’s a necessary evil. My list of things to fix is four pages long and I can’t implement a single one of them without at least going through this ordeal first. My goal is to have it complete and agent-worthy by mid-July so I’m ready for Gen Con.

It’s gonna be a struggle.

A saving grace, though, is that I’ve had weeks now to think about some of the larger issues plaguing the manuscript. There were plenty of times in that first pass where I bracketed things and kept on going. I’ve since created a document I call my “Worldbuilding Band-Aid” that covers all the little stuff I hadn’t fleshed out before. Between that and my list, I’m creeping along.

At the time of this writing I’m only two chapters in. That’s like 15 pages out of 262, so yeah. Mid-July huh? My hope is that the trend continues and the editing gets a little smoother, a little easier the farther along I get in the manuscript as my writing gets better.

Then I’ll go back and “put more tension in chapter 2” and “add life to the city in chapter 1” like my things to fix list wants me to, but it’s a little hard to do that now as I’m still filling in the blanks, fixing sentences, and figuring out just what the heck Past Dan was thinking.