Feel the Burn(out)

Well, it’s week two of NaNoWriMo. So far progress is going pretty well. I’m ahead of schedule and I plan on keeping it that way as the week around Thanksgiving is kind of a black hole. Historically that week alone makes or breaks my entire month of NaNoWriMo. This year, my plan is to front load my words so much that if I miss a day or two — or end up with a lighter word count — I’ll still be in the clear. What that means is right now is that I’m writing. Writing a lot. And boy are my writing muscles feeling it.

You know this segues perfectly into my real theory about working out. This applies to when you are either just starting out or you’ve taken significant time off and are getting back into your old regimen Anyway, it goes something like this …

Make it to Week Three and you’ll be fine. Week One is hard, yes, but its still new so you’re kind of energized and can keep pushing yourself. Week Two is hard. Just hard. It’s like February. You’ve come so far, but there’s still too much more to go. Your muscles are tired and you don’t have the practiced stamina to know how to live like that as your new normal. This is when people are most likely to give up. Week Three then is when the new habit becomes routine. You’re much more likely to be able to work through the bad days and the stuff that was so insurmountable only a week before doesn’t seem like such a big deal.

I think that works for writing too. Well, it probably works for any new thing actually. My usual word count is a thousand words a day. Obviously, for November, I’m increasing that number and since I’m trying to potentially finish early, I’m really putting on those weights. So, yeah, if I can just make it to Week Three I’ll be okay.

In other news, I played Mario Kart on the Switch with my five-year-olds for the first time the other day and it was so much fun. Good old Nintendo has family fun figured out, so I was able to turn on automatic racing and the inability to leave the track and basically just hand the controllers to my kids. I even turned off all computer opponents for safe measure too. Picking the character and car is like half the fun for them, but being able to race as well … they felt like they were playing video games with daddy. A good time was had by all. My son even figured out how to use his items and now asks me almost daily if we can play again. I think that’s a pretty good problem to have.

What I’ve Been Watching: Well, when there wasn’t new TV for a while, my wife and I have been rewatching How I Met Your Mother. We were big fans of the show the first time around and I think it still holds up. The first season was a little rougher than a remembered and I feel like no way would anyone get away with a Barney Stinson character in today’s climate, but he becomes so over the top, it’s like South Park or something and he’s just a parody of a parody.

What I’ve Been Reading: I tried getting into Wool by Hugh Howey and just couldn’t. I think that’s because I didn’t know the “book” is a collection of novellas. So I liked the beginning, but then when it changed novellas but didn’t restart the chapter count, I felt like it had lost all tension. Because it had. So I never ended up finishing it.

I did read Soulsmith by Will Wight and thoroughly enjoyed it. It was a much tighter story this time around so it felt like I read it in no time at all.

I’m currently reading Adventurers, Assassins, and Samurai; Shoguns and Emperors by Christopher Glen about the Meiji Restoration. I get the sense that it isn’t the most academic work on the subject matter, that’s kind of why I like it. I’d been reading a very academic work and at times felt myself getting a little lost in the minutia. I think Glen does a good job of laying out the bare bones so to speak with the side effect of enhancing my knowledge of the movie The Last Samurai with what they got right and more often than not, what they didn’t.

Stoppable Force Meets (Hopefully) Moveable Object

Well I’ve written myself into a corner again. I tend to do that every now and then. This time around, my characters are sneaking into a facility to steal something. They’re posing as a repair crew. My outline says something like they “sneak in to fix the [Thing] but really, they’re going to sabotage the [Other Thing] to help with their escape”. I had no idea what either of those would be when I wrote up the outline and left that as a problem for Future Dan. Well, here I am, 50K words later. Future Dan has become Present Dan and I’m nowhere closer to solving this conundrum.

Anyone know anything about mining facilities or refineries? Asking for a friend …

But seriously, it couldn’t have come at a worse time. Okay, inopportune time. We’re in the beginning of National Novel Writing Month after all and like usual, I’m using the event as an excuse to take a huge bite out of my novel like one McGruff might have taken out of crime. I never seem to time my books right … or maybe I do … so I’m never starting a project when NaNoWriMo roles around. I’m always finishing one.

Thing is, I can’t move forward until I figure this out. I want to get to the caper but aside from what they’re stealing, I don’t even know the layout of the place. Perhaps Past Dan should have figured that out too. Thanks a lot, guy!

So instead of drawing with words, I think I’m going to be drawing with like an actual pencil as I sketch a map of the place. I’m big into maps. My brother? He’ll read a book based solely on the map inside the front cover. I have a harder time conceptualizing everything and spend more time trying to make what I’m reading conform to what I saw in the picture which just takes me out of the story. I trust the writer to give me the important details instead.

While I don’t rely on maps so much in my books, I still like to draw them when it comes to environments. It helps with my blocking. I have literally once sketched out a room and everything in it just so I could use a couple of action figures to act out a fight scene.

Way I see it, my tasks are as follows:

  • Figure out what my facility actually does
  • Name the key components and what could conceivably be wrong with them (I mean it could be the spanocrank has snapped its driveshaft … it doesn’t have to be legit, just sound it)
  • Figure out:
    • A. What my repair crew is actually sabotaging
    • B. Why this would be beneficial in an escape

I think once I get all the above covered I’d be comfortable moving on. Some people might just skip the whole scene and continue to push the burden onto Future Dan, but I can’t write that way. I can jump around in an outline as I build it, but I like to write sequentially. No. This is an obstacle in my way and the only way is through, not around.

Anyone else doing NaNoWriMo this year? If so, I’m always looking for more writing buddies. Hit me up and happy writing.