Vignettes

Inspiration is real. Waiting for inspiration is BS. By slogging through the trenches, I’m back on board the Altered Egos train and genuinely look forward to working on it again every day. There are two metaphors in that sentence.

I’ve worn a tie so much at work these days that my son says, “Daddy, no tie,” on a near daily basis. It’s not that he doesn’t like ties, he knows that I’ve been against them lately and he’s super supportive.

My daughter has developed a second joke. Her first one was telling me, “poopy diaper,” when she definitely didn’t have a poopy diaper. Now, she’ll sit on this plastic fish while in the bathtub, look me dead in the eye and say, “fish on the butt!” and then devolve into a giggling fit. I’m psyched that she’s telling jokes. She didn’t get the toilet humor from me, though. It’s all high brow over here.

I keep querying agents hoping for a bite. I try and pitch maybe two or three every couple of weeks. Way I see it, if my query is bad, then instead of cutting all my chances at the same time, I’m doling it out piece by piece. Granted, that means its taking a while. But I’m not ready to put The Red Door to bed yet anyway.

While I’d rather work with an editor and a publisher, Plan B is to self publish. I’ve written five novels by now – two of which are what I consider to be publishable – but I’m waiting until I have three before I hit the self publish button. I figure that three novels of three different styles will be a good starting point and I’ll go from there. Spaghetti on the wall, that’s my approach. Throw enough and something’ll stick.

I’ve been working D&D back into my life, playing with a group about once a month or so. I’m DMing, but I’d much rather play. But since I’m the one making it work the most, I’ll take DMing as a small price to just be rolling D20s again. I’ve looking into joining an online group that meets more frequently and while that sounds great in theory, the twins don’t allow me much free time. The only reason I’m even playing D&D now is because I’ve somehow convinced my wife to play too. She either really loves me or feels really sorry for me. A bit of both?

Right now, we’re watching the days go by, more or less. We were coming to terms with our current family dynamic and thought that was going to be it. But life, uh, finds a way. That cat’s out of the bag, internet. Come March, the kids will be outnumbering the adults at our house.

Blocking Fight Scenes

I always seem to run into the problem where I lead a protagonist into a situation against a giant monster/beast/enemy thing and then have to figure out what to do about it. Seriously, out of the 4 books I’ve written (counting the one I’m currently working on), it’s happened in 3 of them. I like fight scenes. I like watching fight scenes. But when it comes to writing them down, I hit something of a wall. I want a rampaging beast, but my mental space is totally blank.

There’s your backstory for what happened today. I’ve known for months now, that this particular fight was going to happen but all my notes say is something like:

– Abe shows up and ambushes Gus

– This is Abe’s last chance to redeem himself. He’s desperate

– They argue like brothers. Fight breaks out

That’s it. My next note is for what happens after the fact. Oh, and Abe is a werewolf. I should probably have mentioned that. In order for this scene to be interesting, something needs to happen. There needs to be danger and conflict. I realized yesterday that I couldn’t accurately visualize the fight because I didn’t know what was going to happen. Just like outlining the story itself, I needed to outline the fight. And that meant blocking.

I’ve heard of blocking fight scenes before. I meant to create a bullet point list of events, but I soon ran into the issue where I wanted to expand on things. Then I’d get lost and end up trying to figure out what was coming up next same as I would if I just winged the fight scene like usual. So I had a better idea. My experience with theater and role playing led me to this:

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I drew the layout of the room. Luckily, I had these two vinylmation guys at my desk to help out. And my wife said they were useless! We have Captain America there as my protagonist, Gus, and Oogie Boogie as the werewolf, Abe. I still kind of made the fight up as I went along, but I kept this little playset right by my computer. I just acted it out. I’d jump from the figures to discover the next action/reaction and then back to the keyboard to write about it and describe all of the emotional stuff.

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It helped so much! Not only did I get a clearer picture of what was happening, but by drawing in the background, it showed (if only to me) that this wasn’t happening in a white room. I had props and obstacles and just stuff that could help and hinder my characters. I’m really happy with the outcome and it’s definitely something I’ll be doing with fight scenes from now on. I have a big one coming up at the climax that’s going to take a map D&D style! I can’t wait to set it up and play – er, I mean, manipulate my models – to see what happens.

On a side note, I really hope this book gets published. That way, when you read the scene I’m talking about, you can picture these vinylmation figures duking it out instead 🙂